I photograph what most people overlook.

I work at Disney — and being surrounded by that kind of magic every single day made me want to start capturing it. When you spend your time in a place built entirely around wonder, you start noticing things differently. The way light wraps around Spaceship Earth at golden hour. The reflection of fireworks in a puddle. The look on a kid's face the moment they see their favorite character for the first time. I couldn't stop wanting to freeze those moments.

So I saved up and bought my first Canon Rebel. Nothing fancy — just an entry-level DSLR and a kit lens — but it changed everything. I started shooting everything around me: architecture, details, people mid-laugh, hands, shadows, the geometry of a geodesic dome against a Florida sky. I didn't know all the rules yet, which meant I wasn't afraid to break them.

Disney taught me that the magic is always in the details — and that the best moments happen when nobody's performing for the camera. That instinct — slow down, look closer, wait for the real thing — is still how I shoot today, whether I'm photographing a wedding, a family, or somewhere entirely new.